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My granddaughters Anita and Mitsi, daughter-in-law Pam, and son Corky on the night that Mitsi graduated with her Master's Degree

Casual music fans may consider Batio little more than an oddity or cult figure ( didn’t even bother writing a bio for him or rating any of his seven albums), but real guitar fans know and appreciate him as the shred god he truly is. As generous as he is gifted, Batio has revealed the secrets of his incredible technique to players like Tom Morello and Mark Tremonti as well as to readers of his old Guitar World columns.

Today, TNM Guitars manufactures a remake of the Mosrite guitar, recreated by guitar luthier Terry N. McArthur. [3]

Mosrite of California went bankrupt in late 1968 after they contracted with the Thomas Organ Company to market their guitars. After this, they tried to deal directly with stores, and they sold 280 guitars in 1969 before they came to the shop one day and found their doors pad-locked. [2] Two years after his bankruptcy, Semie was able to get back the Mosrite name, and in 1970 he started making guitars again in Pumpkin Center near Bakersfield . He moved his factory three times in the next 20 years, to Oklahoma City in the mid-1970s, to the township of Jonas Ridge, in Burke County, North Carolina , in 1981 (where a factory fire destroyed the operation), and to Leachville, Arkansas , in 1991. [2] Only one guitar was produced in Leachville and is now on display at the town's Melody Theater.

1001 Oak Ridge Boys / Bob Wills’ Original Texas Playboys
1002 Neil Young
1003 Exile / The Maines Bros. with Terry Allen
1004 Waylon Jennings / Billy Joe Shaver
1005 Eddie Rabbitt / Tammy Wynette
1006 Ricky Skaggs / The Judds
1007 Glen Campbell / Eddy Raven
1008 Joe Ely / Eric Johnson
1009 The Dirt Band / Steve Goodman Tribute
1010 Juice Newton / Mark Gray
1011 Larry Gatlin / Nanci Griffith
1012 Freddy Powers with Willie Nelson & Merle Haggard / Whitey Shafer
1013 Earl Thomas Conley / Vince Gill

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When the Carter Family sang about a melancholy flower in the wildwood nearly one hundred years ago, little did they know that three generations later, another Carter songstress would personify its story. As a songwriter, Anne Buckle blends poignant lyrical themes with haunting melodies that channel her Appalachian roots. But who is she? A Harvard graduate, fluent in French; former diplomat at the US Embassy in Paris; classically trained violinist with a master’s degree in arts advocacy; self-taught on nearly a dozen other musical instruments; founder of a non-profit called 3 Chords that teaches refugee youth to write songs; a Georgia native who now calls Music City home, who spent three years creating the Tennessee Promise program with Governor Haslam. But, this daughter of two school teachers left that life behind, instead choosing to chase the dreams of her heart down an uncertain path - one full of doubt and heartbreak, freedom and possibility. In 2017, she started releasing new music under the name WILDWOOD, which has been called "a juxtaposition of haunting and hopeful" and "a refreshing take on a legendary family" by the Nashville Music Guide. Nashville's own Bluebird Cafe has described her as "honest, vulnerable, and completely original. Haunting and beyond category." She’s performed in festivals including Bristol Rhythm & Roots Reunion, Muletown Music Fest, and CMA Music Fest to name a few. She is signed to the indie label, South x Sea, which is administered by Kobalt. As a fiddle player, Anne has shared the stage with Charlie Daniels, toured with Augustana, and opened for the Dixie Chicks on their DCX MMXVI World Tour. When she isn't writing or performing music, traveling or working with refugees, Anne is a museum educator and teaching artist at the Country Music Hall of Fame and Museum, helping K-12 students learn about country music history and songwriting. She also teaches private violin, piano, and guitar lessons and is a freelance writer, authoring the blog Life According to Annie B.

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