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Writing in the NME in 1978, Nick Kent claimed "its brazenly left-field veneer left me cold at first, and it's only now that its strengths are starting to come across ... once past the disarming non-focus veneer, there's a quietly remarkable talent at work – quiet in the manner of the slow fuse burn of "Mother of Violence" with Roy Bittan's piano work outstripping anything he's turned out for either Bruce Springsteen or David Bowie . Closer to the root of the album, there's a purity, a strength to the songs individual enough to mark Gabriel out as a man whose creative zenith is close at hand." [10]


Peter Gabriel Shock The Monkey Soft DogPeter Gabriel Shock The Monkey Soft DogPeter Gabriel Shock The Monkey Soft DogPeter Gabriel Shock The Monkey Soft Dog

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